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A. Give voice to Asian American narratives that address the contemporary human condition in areas of love, family, identity and immigration issues of racism, sexism, classism and cultural assimilation. ​B. Provide performance opportunities and nurture the growth of Colorado and US Asian American actors, directors and playwrights. ​C. Promote community and understanding amongst the Asian American sectors and between it and other indigenous groups through theatre productions and other shared projects, particularly in areas of education and social justice.

Gateways Music Festival’s mission is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance.

Jazz St. Louis' mission is to lead our community in advancing the uniquely American art of jazz through live performance, education, and outreach.

To build cultural bridges that celebrate diversity and create compassionate communities through Asian and Asian American stories that reveal our common truths.

To continue providing an artistic, developmental home for playwrights rooted in the Afro-American diaspora, and artists who are shaping the theater of the 21st century and beyond.

Since its inception in 1986, the Symphony has included a work by an American composer and featured world-renowned guest artists on many of its programs.

New Native Theatre’s mission is to create excellent Native American stories for the stage in four distinct ways: 1) Produce commissioned and existing plays by native playwrights. 2) Produce community created plays around cultural and social justice topics. 3) Present the best of Native American and first nations productions from around North America to encourage the appreciation of high level production values/expectations, and the cannon of native theatre created around the continent. 4) Provide an array of theatre training to native american community members. 5) Engage in collaborations with native artists and native organizations of varying artistic disciplines.

Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Producer Edgar Dobie, is a national center dedicated to American voices and artists. Arena Stage produces plays of all that is passionate, profound, deep and dangerous in the American spirit, and presents diverse and ground-breaking work from some of the finest artists around the country. Arena Stage is committed to commissioning and developing new plays and impacts the lives of more than 10,000 students annually through its work in community engagement. Now in its seventh decade, the theater serves a diverse annual audience of more than 300,000.

The purposes for which this corporation has been organized are as follows: The Richard Tucker Music Foundation is a non-profit cultural organization dedicated to perpetuating the artistic legacy of the great American tenor principally through the support and advancement of the careers of promising and talented American opera singers. In addition, the Foundation seeks to heighten the public's awareness of the art of opera through performances, master classes, radio, television

The Young Patronesses of the Opera (YPO) was formed in 1956 and incorporated in 1984. Our mission is "to cultivate, promote, foster, sponsor, and develop the understanding, taste, and love of opera and to promote the education of opera in our community." YPO is comprised entirely of volunteers who donate their time and talents. Our Board of Directors and two-hundred plus members reflect the multiculturalism of Miami-Dade County. Members represent Caucasian, Hispanic, African-American, and Caribbean ethnic groups united by our love of opera and desire to promote opera education. YPO members want to ensure that young people and adults alike in our community have the opportunity to understand and enjoy opera.

The festival creates an artistic magnet, drawing a national and international audience of Williams enthusiasts to a small tourist town on the tip of Cape Cod on an otherwise quiet fall weekend, bolstering the tourist economy and cementing the relationship between of one of our great American artists and Provincetown.The mission of the Festival is:* to produce performances that examine and celebrate Tennessee Williams work, life and evolving historical importance including the playwright's connection to Provincetown;* to honor Williams as a playwright of enduring and international relevance and significance; * to encourage the searching spirit of Williams writing to inspire new creative work; and* to draw on Provincetown's perspective as the longest-running American artist colony where serious American drama was born.

VIDEA facilitates communication, cooperation and strategic networking among Canadian groups working for global justice, peace and sustainable development; supports community to community connections with rural parts of Africa; creates globally focused learning resources; promotes fair trade initiatives; and works in partnership with African organizations such as the WHEAT Trust in South Africa, Women for Change in Zambia, and Mpambo, the African Multiversity, in Uganda, to support development initiatives focused on women’s economic empowerment, community development and education. VIDEA’s Breakthrough for Africa project supports the creation at a community level of sustaining linkages between Canadian and African communities. The Kelowna-Zambia Partnership and the Nelson Kaoma Alliance are part of VIDEA’s Breakthrough for Africa project.