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Many of our projects focus on education and nutrition. Our current major initiatives include the very successful 'food for thought' program and support for girls at risk in Mbarera Uganda.

EAGLE HIGH SCHOOL ORCHESTRABOOSTERS is a/an Music booster club based in EAGLE, ID. More Specifically EAGLE HIGH SCHOOL ORCHESTRABOOSTERS focuses on the following activity: Orchestra. The main purpose of a booster club like EAGLE HIGH SCHOOL ORCHESTRABOOSTERS, is to help raise money and provide support for specific extra-curricular activities. In many cases Booster Clubs are created to support school related extracurricular activities such as various sports boosters, music boosters, art boosters, STEM boosters or general academic boosters to name a few. Typically Booster Clubs such EAGLE HIGH SCHOOL ORCHESTRABOOSTERS help the organizations they are associated with, with their funding gaps. To do this most Booster Clubs in the United States are set up as Non-Profits, but they differ from many Non-Profits as they are almost always entirely volunteer run. To learn more about EAGLE HIGH SCHOOL ORCHESTRABOOSTERS or to claim this profile page as yours - please register as a Booostr.com beta tester via the link in the upper right corner.

Ballet School and Performing Company in San Jose. We offer youth and open drop-in ballet training for children and adults; performance opportunities in The Nutcracker San Jose, a Bay Area and Silicon Valley family tradition since 1966; and community outreach programs for schools and the Girl Scouts of Northern California. The academy’s primary focus is classical ballet, as well as other ballet classes, including contemporary, conditioning (a combination of Pilates, yoga, strengthening and stretching), pointe, repertory, Chinese tumbling and stretching, and pas de deux.

We are supporting both local and international initiatives. Local: we support Big Sisters of BC Lower Mainland, which provides essential mentoring to young women in the region, the Bruce DeHart Bursary,to help college students in business programs. We also support other local initiatives, such as feeding the homeless in the downtown Eastside. International: We support Free the Children's school- and community- building projects, and are currently focusing on raising funds for the Secondary School for Girls in the Masaai Mara region. We also support World Vision and are involved in other international initiatives on a less regular basis.

August 2018, Gregory Omar Osborne, self-produced, directed/ choreographed, set designed and lighted his first production, Five Guys Named Moe, at The Burgdorff Center for the Performing Arts. It was recognized by the New York office of Producer Sir Cameron Mackintosh and the playwright, Clarke Peters. Gregory felt even more accomplished because he was not only starting a promising journey as a creative, he had found a purpose beyond the stage. February 16th, 2019, Progressive Theater celebrated its launch with THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN; written by Kirsten Childs, directed by Broadway's Jasmin Richardson, and choreographed by Osborne. The event was made possible with the collaborative efforts of The South Orange/ Maplewood Community Coalition on Race. The show sparked a community discussion on race and privilege. The purpose behind Progressive is to create opportunities and platforms for the misrepresented: minorities and women while offering the necessary training to further a career in the arts. Such Opportunities aren't limited to performance but extend to positions in tech, design, creation etc. Osborne states, "there are many theater companies with the aim to be diverse, but Progressive Theater targets minorities: people of color and women specifically. If we cater to them, in turn, the theater community will be filled with working actors of all colors, shapes, sizes, and genders. The phrase "The Token" would no longer exist." Progressive Theater will be Progressive Theater with or without a show. Its mission reaches beyond stage and costume. Progressive Theater is cultivating the true meaning of diversity in the theater community by empowering the misrepresented and underheard. There is room for all of us.